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In regard to Renée Zellweger’s eccentric performance, critics are a bit puzzled. “Zellweger is simultaneously broadly cartoonish and blandly nonspecific,” Roxana Hadadi wrote for Vulture. “She squints so much that her eyes lose whatever interiority they might have reflected; there is no real difference between her smile or her frown.”
Listen, we don’t mind an over-acting moment or two, but we, too, find the characterization to be oddly overemphasized.
Source: https://www.distractify.com/p/why-critics-hate-the-thing-about-pam
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